Nancy Mauro-Flude, Jesse Darling

ISEA @ PS2: SISTER0 vs JESSE DARLING II: Baglady 2.0 & the ://localhost @ PS2.
Nancy Mauro-Flude, Jesse Darling. 17 August- 03 September 2009.

Live performancewebcast installation with electronic performance tool.

Thursday 27August, 9pm: "Be my guest, be my host, be my ghost"  - 1943 gallery invitation by Marcel Duchamp
ISEA09 @ PS²: sister0 vs Jesse Darling II-
*Be My*
click start to stop
Nancy Mauro-Flude a.k.a sister0 is an artist and researcher in the field of
performing art and experimental media. Her art work is poetically invested with the
electronic activist movement and she often highlights the importance of the internet
and paraphernalia as a medium, meeting place and information source.
More info:   
Jesse Darling is a multi-media sculptor, performance artist and "iFlaneur" who works
with both old and new technologies. Trained in dance and physical theatre as well as
fine art, she is working on a series of experimental collaborations both in
real-time and online, exploring themes of collectivism and bricolage: set in the
"spaces between places" where the ghosts get into the machine.

Sister0 and Jesse Darling, who have worked together previously on a number of
projects in Vienna and London, will each bring a completed work to this
collaboration: together and individually they will explore the possibilities and
limits of these works. They will choreograph a new work for the space partially in
response to these works, and partially as a result of experimental sessions @ PS2.

Nancy Mauro-Flude, Jesse DarlingPerformance still
*Baglady 2.0* is a customised electronic tool for live performance and the
collection of signs, a bag with an antenna and an embedded board, programmed for
live wireless broadcasting on the fly - of digital sound and images [motion jpeg].
It probes found wifi zones as a platform to pipe through this data. It highlights
how ephemeral oral or folk histories on the street can be played out on the
inhabited and ubiquitous WWW. Scenario:
A nomad living in the wreckage of the new dark ages, baglady2.o tracks and inherits
neo-liberal capitalist waste. She transforms it and plays with it. She is a
hunter-gatherer of ephemeral moments. She finds it vital to collect omens from the
everyday, seeing the beauty in the banal, validating the fragile and shifting world.
She travels light, carrying only a bag with an antennae to probes the aeather and
pirate the network...

Jesse Darling: //localhost
There's a place in between places, a portal: a middleworld, an antechamber. It's
both exquisitely other and completely familiar. This is ://localhost, where you
begin and end your journey ://localhost is the ephemeral [spirit] choir that will
greet you there, caught between timespaces and embodied identities; they have a
message for you if you can figure out how to decode it, but that might mean passing
through to the other side...
Using light projections, sound collage, live streaming and animated .gif images in
an installation comprising hand-screened wallpaper made with a rubber stamp,
://localhost refers both to ancient symbols and brand new territories; the sacred
ether, the domestic altar.

Text: the artist.

ISEA09 @ PS²: sister0 vs Jesse Darling II- *Be My*
27/08/09 21:00
"Be my guest, be my host, be my ghost"  - 1943 gallery invitation by Marcel Duchamp

Nancy Mauro-Flude, Jesse Darling
sister0 vs Jesse Darling II

Artists sister0 & Jesse Darling take inspiration from this provocation and present a new performance installation @ PS² Project Space, based on found debris, aphorisms [RSS feeds], & images captured on the fly by the electronic performance tool Baglady2.0.
On 27/08/09 21:00 they invite the people of Belfast and ISEA09 - as guests and hosts simultaneously, ghosts in the shell of the white cube, in the shell of a city - for a BLACK FOAM PARTY [borrowing Sloterdijk's metaphor for a meshed socio-technical ecosystem], for the premiere of 'Be My'.

Séamus Fox
: ,The show they put on was based in part around a strange electronic device named “Bag-Lady-2.0” which was basically a computer in an innocent looking handbag with a big brother style camera which could capture both video and still pictures and render them with added text to be blown up and played on half the wall of the arts space while Sister0 and Jesse acted out a very original performance which carried connotations of a dystopian society. While the space and the artists looked fairly modern the feel of the whole performance was other worldly like Nazi Germany or Stalinist Russia. One corner of the room was packed with rubbish, empty cans, a busted cistern, broken wood and strangely new an untouched looking books. The scenes being played out on the wall via projector where still images from around the Belfast streets and the artists them selves setting the space up with unrelated and yet at times seemingly related random captions from headlines in the “Newstatesman”. Again I was to revisit my Tom Waits thoughts of the previous days as the strange music akin to metal being torn apart by robots played and Jesse Darling playing the part of some kind of slave toiled away frantically printing Christian crosses onto the wall by hand with a rubber stamp. Her Nemesis Sister0 looked like a modern version of an SS prison guard although her uniform was more colourful and 21 st Century looking in appearance her actions were anything but.'
For the full review see:

Nancy Mauro-Flude, Jesse Darling
Performance still
Thank you :Peter from PS², John Dalton, Paul Perry, Mirko Tobias Schaefer, Pieter
Sloterdijk, Belfast Westfield waste disposal staff, John Hewitt Hotel, Linen House Hostel.

For more information see:
This project is assisted through Arts Tasmania by the Minister for Tourism and the Arts.
Open Sundays and 'Late Night Art is funded by Belfast City Council

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